Blue Valentine is one of the most depressing and well done films I've ever seen. It is one that I will recommend that everyone see. Not because I want them to be sad or because I think they could learn anything new but because I think everyone should want to see the best of everything and this film is the best of its genre that I have ever seen. And whether blue film online is multiple extrusion, blow molding, or casting. There are 1,746 blue film online suppliers, mainly located in Asia. The top supplying country is China (Mainland), which supply 100% of blue film online respectively. Blue film online products are most popular in North America, Domestic Market, and Eastern Europe.
Running time 105 minutes Country United States Language English Budget $3,000 Blue Movie (stylized as blue movie; also known as Fuck ) is a 1969 American film written, produced, and directed. Blue Movie, the first depicting to receive in the, is a seminal film in the (1969–1984) and helped inaugurate the ' phenomenon in modern American culture, and later, in many other countries throughout the world. According to Warhol, Blue Movie was a major influence in the making of, an internationally controversial erotic drama film, starring, and released a few years after Blue Movie was made. And, playing themselves, starred in Blue Movie. In 1970, the second adult erotic film, after Blue Movie, depicting explicit sex that received a wide theatrical release in the United States, was shown. Later, other adult films, such as, and were released, continuing the begun with Blue Movie. In 1973, the phenomenon of porn being publicly discussed by celebrities (like and ) and taken seriously by film critics (like ) began, for the first time, in modern American culture.
In 1976, based on the play by (and its derivative, ), and directed by, was released theatrically and is considered, by award-winning author, the 'crown jewel' of the. Blue Movie was publicly screened in New York City in 2005, for the first time in more than 30 years. Also in New York City, but more recently, in 2016, the film was shown at the in. Contents.
Synopsis The film includes dialogue about the, various mundane tasks and, as well, during a blissful afternoon in a New York City apartment (owned by art critic David Bourdon). The film was presented in the press as, 'a film about the Vietnam War and what we can do about it.' Warhol added, 'the movie is about. Love, not destruction.' Warhol explained that the lack of a plot in Blue Movie was intentional: “ Scripts bore me.
It's much more exciting not to know what's going to happen. I don't think that plot is important.
If you see a movie of two people talking, you can watch it over and over again without being bored. You get involved – you miss things – you come back to it. But you can't see the same movie over again if it has a plot because you already know the ending. Everyone is rich.
Everyone is interesting. Years ago, people used to sit looking out of their windows at the street. Or on a park bench. They would stay for hours without being bored although nothing much was going on. This is my favorite theme in movie making – just watching something happening for two hours or so. I still think it's nice to care about people. And are uncaring.
We're pop people. We took a tour of in Los Angeles and, inside and outside the place, it was very difficult to tell what was real.
They're not-real people trying to say something. And we're real people not trying to say anything. I just like everybody and I believe in everything. ” —, cited by in his book,. According to Viva: “The Warhol films were about sexual disappointment and frustration: the way Andy saw the world, the way the world is, and the way nine-tenths of the population sees it, yet pretends they don’t.” Cast. as Himself. as Herself Production Andy Warhol described making Blue Movie as follows: 'I'd always wanted to do a movie that was pure fucking, nothing else, the way my film had been just eating and my film had been just sleeping.
So in October '68 I shot a movie of Viva having sex with Louis Waldon. I called it just Fuck.' The film itself acquired a blue/green tint because Warhol used the wrong kind of film during production.
He used film meant for filming night-scenes, and the sun coming through the apartment window turned the film blue. According to, American filmmaker and scholar, who attended the first screening of the film at (, ) in the Spring of 1969: “ Why Blue Movie was blue?
Well, Warhol used for his movies, and if you were shooting color film in the 1960s and 70s, two of the most popular choices for film stock were Eastman Reversal 7241, balanced for use outdoors; and Eastman Reversal 7242, balanced for tungsten (indoor) lighting. If you shot Eastman 7242 outside without using a, the image would become completely blue; and that’s what was happening here. The only light used was the daylight coming through the window, thus making the final image very, very blue indeed. When the film ended. I heard Warhol asking someone plaintively “why is the whole second reel all blue?,” so I told him about 7242, 7241, and the need to use the proper filter to balance the color when you used indoor stock outdoors, or vice versa. “Ohhhhhhh” said Andy.
“Well, I guess we should call it Blue Movie.”. also present at the showing laughed, as well, appreciating the obvious double entendre; a “blue movie” that really was a blue movie.
Noted in his review that the film was “literally a cool, greenish-blue in color.” Now you know why. ” —, cited in his article,. Reception Showings. Blue Movie (1970 book), on June 18, 1969, reported that the film was the 'first theatrical feature to actually depict.' While initially shown at, Blue Movie was not presented to a wider audience until it was shown at the (152, NY 10012) on July 21, 1969. Viva, in Paris, finding that Blue Movie was getting a lot of attention, said, ' loved it.
(an LA film critic) did too. He said I was better than and it was the first time a real movie star had made love on the screen. It was a real breakthrough.' Controversy On July 31, 1969, the staff of the were arrested, and the film confiscated. The theater manager was eventually fined $250.
Afterwards, the manager said, 'I don't think anyone was harmed by this movie. I saw other pictures around town and this was a kiddie matinee compared to them.' Warhol said, 'What's pornography anyway? The muscle magazines are called pornography, but they're really not.
They teach you how to have good bodies. I think movies should appeal to prurient interests. I mean the way things are going now – people are alienated from one another. Blue Movie was real.
But it wasn't done as pornography—it was done as an exercise, an experiment. But I really do think movies should arouse you, should get you excited about people, should be prurient. Prurience is part of the machine. It keeps you happy. It keeps you running.'
Aftermath. Afterwards, in 1970, Warhol published Blue Movie in book form, with film dialogue and explicit stills, through.
When, an internationally controversial erotic drama film, directed by and starring, was released in 1972, Warhol considered Blue Movie to be the inspiration, according to, the editor of, a magazine dedicated to that was founded by Warhol in 1969. Nonetheless, and also in 1970, the second adult erotic film, after Blue Movie, depicting explicit sex that received a wide theatrical release in the United States, was shown. Shortly thereafter, other adult films, such as, and were released, continuing the begun with Blue Movie. In 1973, the phenomenon of porn being publicly discussed by celebrities (like and ) and taken seriously by film critics (like ), a development referred to, by Ralph Blumenthal of The New York Times, as ', began, for the first time, in modern American culture, and later, in many other countries throughout the world. In 1976, based on the play by (and its derivative, ), and directed by, was released theatrically and is considered, by award-winning author, the 'crown jewel' of the. Blue Movie was publicly screened in New York City in 2005, for the first time in more than 30 years.
Also in New York City, but more recently, in 2016, the film was shown at the in. ^ (July 22, 1969). The New York Times. Retrieved December 29, 2015. Retrieved December 29, 2015.
^ Comenas, Gary (2005). Retrieved December 29, 2015.
![Online Online](/uploads/1/2/5/3/125349758/966668694.jpg)
^ Staff (April 27, 2013). Retrieved December 29, 2015. ^ (August 10, 1969).
The New York Times. Retrieved December 29, 2015. ^ Blumenthal, Ralph (January 21, 1973). Retrieved February 8, 2016. ^ (March 29, 2005).
Retrieved January 27, 2016. ^ Paasonen, Susanna; Saarenmaa, Laura (July 19, 2007). Retrieved September 15, 2017. ^; Plante, Rebecca F., eds. (June 19, 2015). Retrieved September 15, 2017.
^ (June 13, 1973). Retrieved February 7, 2015. ^ (November 24, 1976).
Retrieved February 26, 2016. ^ (June 2014). Archived from on February 4, 2016. Retrieved January 26, 2016.
^ (June 2014). Retrieved January 26, 2016. ^ Staff (October 2005).
Archived from on October 27, 2015. Retrieved January 20, 2016. ^ Collman, Ashley (April 11, 2016). Retrieved December 27, 2016.
^ Dixon, Wheeler Winston (April 22, 2012). Archived from on September 14, 2017. Retrieved March 23, 2018. ^ Watson, Steven (2003). Retrieved January 19, 2016.
^ (August 12, 2003). Pp. 326, 327. Retrieved January 19, 2016. Note – in 'view all'/'page 327' – from the book text, 'In a final defence of his methods, which were used in Blue Movie for the last time, Andy told Leticia Kent, in a Vogue interview.' . (August 12, 2003). Retrieved January 23, 2016.
Note – original publication: “Viva and God,” 111.1 (May 5, 1987), Art Supplement 9. Flatley, Guy (November 9, 1968). The New York Times. Retrieved December 29, 2015.
Goldsmith, Kenneth (April 1, 2009). Retrieved December 29, 2015.
^ Comenas, Gary (1969). Retrieved January 20, 2016.
Haggerty, George E. Retrieved January 20, 2016. Staff (2013).
Retrieved March 23, 2018. Garcia, Alfredo (October 11, 2017). Retrieved March 23, 2018. Haberski, Jr., Raymond J. (March 16, 2007).
Retrieved January 19, 2016. Staff (September 18, 1969). Retrieved January 19, 2016. Further reading. Bockris, Victor (1997).
Warhol: The Biography. New York: Da Capo Press. Danto, Arthur C.
Yale University Press. James, James (1989), 'Andy Warhol: The Producer as Author', in Allegories of Cinema: American Film in the 1960s pp. 58–84. Princeton: Princeton University Press. Koch, Stephen (1974; 2002): Stargazer. The Life, World and Films of Andy Warhol. London; updated reprint Marion Boyars, New York 2002,. New York: Penguin.
Warhol, Andy; Pat Hackett (1980). POPism: The Warhol Sixties. Hardcore Brace Jovanovich. Watson, Steven (2003). New York: Pantheon.
Archived from on August 29, 2010. External links. at. on. at the. on.
Running time 105 minutes Country United States Language English Budget $3,000 Blue Movie (stylized as blue movie; also known as Fuck ) is a 1969 American film written, produced, and directed. Blue Movie, the first depicting to receive in the, is a seminal film in the (1969–1984) and helped inaugurate the ' phenomenon in modern American culture, and later, in many other countries throughout the world. According to Warhol, Blue Movie was a major influence in the making of, an internationally controversial erotic drama film, starring, and released a few years after Blue Movie was made. And, playing themselves, starred in Blue Movie. In 1970, the second adult erotic film, after Blue Movie, depicting explicit sex that received a wide theatrical release in the United States, was shown. Later, other adult films, such as, and were released, continuing the begun with Blue Movie.
In 1973, the phenomenon of porn being publicly discussed by celebrities (like and ) and taken seriously by film critics (like ) began, for the first time, in modern American culture. In 1976, based on the play by (and its derivative, ), and directed by, was released theatrically and is considered, by award-winning author, the 'crown jewel' of the. Blue Movie was publicly screened in New York City in 2005, for the first time in more than 30 years.
Also in New York City, but more recently, in 2016, the film was shown at the in. Contents.
Synopsis The film includes dialogue about the, various mundane tasks and, as well, during a blissful afternoon in a New York City apartment (owned by art critic David Bourdon). The film was presented in the press as, 'a film about the Vietnam War and what we can do about it.'
Warhol added, 'the movie is about. Love, not destruction.' Warhol explained that the lack of a plot in Blue Movie was intentional: “ Scripts bore me.
It's much more exciting not to know what's going to happen. I don't think that plot is important.
If you see a movie of two people talking, you can watch it over and over again without being bored. You get involved – you miss things – you come back to it. But you can't see the same movie over again if it has a plot because you already know the ending. Everyone is rich. Everyone is interesting. Years ago, people used to sit looking out of their windows at the street.
Or on a park bench. They would stay for hours without being bored although nothing much was going on. This is my favorite theme in movie making – just watching something happening for two hours or so.
I still think it's nice to care about people. And are uncaring. We're pop people. We took a tour of in Los Angeles and, inside and outside the place, it was very difficult to tell what was real. They're not-real people trying to say something. And we're real people not trying to say anything.
I just like everybody and I believe in everything. ” —, cited by in his book,. According to Viva: “The Warhol films were about sexual disappointment and frustration: the way Andy saw the world, the way the world is, and the way nine-tenths of the population sees it, yet pretends they don’t.” Cast. as Himself. as Herself Production Andy Warhol described making Blue Movie as follows: 'I'd always wanted to do a movie that was pure fucking, nothing else, the way my film had been just eating and my film had been just sleeping.
So in October '68 I shot a movie of Viva having sex with Louis Waldon. I called it just Fuck.' The film itself acquired a blue/green tint because Warhol used the wrong kind of film during production. He used film meant for filming night-scenes, and the sun coming through the apartment window turned the film blue. According to, American filmmaker and scholar, who attended the first screening of the film at (, ) in the Spring of 1969: “ Why Blue Movie was blue?
Well, Warhol used for his movies, and if you were shooting color film in the 1960s and 70s, two of the most popular choices for film stock were Eastman Reversal 7241, balanced for use outdoors; and Eastman Reversal 7242, balanced for tungsten (indoor) lighting. If you shot Eastman 7242 outside without using a, the image would become completely blue; and that’s what was happening here. The only light used was the daylight coming through the window, thus making the final image very, very blue indeed. When the film ended. I heard Warhol asking someone plaintively “why is the whole second reel all blue?,” so I told him about 7242, 7241, and the need to use the proper filter to balance the color when you used indoor stock outdoors, or vice versa. “Ohhhhhhh” said Andy. “Well, I guess we should call it Blue Movie.”.
also present at the showing laughed, as well, appreciating the obvious double entendre; a “blue movie” that really was a blue movie. Noted in his review that the film was “literally a cool, greenish-blue in color.” Now you know why. ” —, cited in his article,. Reception Showings. Blue Movie (1970 book), on June 18, 1969, reported that the film was the 'first theatrical feature to actually depict.'
While initially shown at, Blue Movie was not presented to a wider audience until it was shown at the (152, NY 10012) on July 21, 1969. Viva, in Paris, finding that Blue Movie was getting a lot of attention, said, ' loved it. (an LA film critic) did too. He said I was better than and it was the first time a real movie star had made love on the screen. It was a real breakthrough.'
Controversy On July 31, 1969, the staff of the were arrested, and the film confiscated. The theater manager was eventually fined $250. Afterwards, the manager said, 'I don't think anyone was harmed by this movie. I saw other pictures around town and this was a kiddie matinee compared to them.' Warhol said, 'What's pornography anyway? The muscle magazines are called pornography, but they're really not.
They teach you how to have good bodies. I think movies should appeal to prurient interests. I mean the way things are going now – people are alienated from one another. Blue Movie was real. But it wasn't done as pornography—it was done as an exercise, an experiment. But I really do think movies should arouse you, should get you excited about people, should be prurient. Prurience is part of the machine.
It keeps you happy. It keeps you running.' Aftermath. Afterwards, in 1970, Warhol published Blue Movie in book form, with film dialogue and explicit stills, through. When, an internationally controversial erotic drama film, directed by and starring, was released in 1972, Warhol considered Blue Movie to be the inspiration, according to, the editor of, a magazine dedicated to that was founded by Warhol in 1969. Nonetheless, and also in 1970, the second adult erotic film, after Blue Movie, depicting explicit sex that received a wide theatrical release in the United States, was shown. Shortly thereafter, other adult films, such as, and were released, continuing the begun with Blue Movie.
In 1973, the phenomenon of porn being publicly discussed by celebrities (like and ) and taken seriously by film critics (like ), a development referred to, by Ralph Blumenthal of The New York Times, as ', began, for the first time, in modern American culture, and later, in many other countries throughout the world. In 1976, based on the play by (and its derivative, ), and directed by, was released theatrically and is considered, by award-winning author, the 'crown jewel' of the. Blue Movie was publicly screened in New York City in 2005, for the first time in more than 30 years. Also in New York City, but more recently, in 2016, the film was shown at the in. ^ (July 22, 1969). The New York Times.
Retrieved December 29, 2015. Retrieved December 29, 2015. ^ Comenas, Gary (2005). Retrieved December 29, 2015. ^ Staff (April 27, 2013). Retrieved December 29, 2015. ^ (August 10, 1969).
The New York Times. Retrieved December 29, 2015. ^ Blumenthal, Ralph (January 21, 1973). Retrieved February 8, 2016. ^ (March 29, 2005).
Retrieved January 27, 2016. ^ Paasonen, Susanna; Saarenmaa, Laura (July 19, 2007). Retrieved September 15, 2017. ^; Plante, Rebecca F., eds. (June 19, 2015). Retrieved September 15, 2017.
^ (June 13, 1973). Retrieved February 7, 2015. ^ (November 24, 1976).
Retrieved February 26, 2016. ^ (June 2014). Archived from on February 4, 2016. Retrieved January 26, 2016.
^ (June 2014). Retrieved January 26, 2016. ^ Staff (October 2005). Archived from on October 27, 2015. Retrieved January 20, 2016. ^ Collman, Ashley (April 11, 2016).
Retrieved December 27, 2016. ^ Dixon, Wheeler Winston (April 22, 2012). Archived from on September 14, 2017. Retrieved March 23, 2018. ^ Watson, Steven (2003).
Retrieved January 19, 2016. ^ (August 12, 2003). Pp. 326, 327. Retrieved January 19, 2016. Note – in 'view all'/'page 327' – from the book text, 'In a final defence of his methods, which were used in Blue Movie for the last time, Andy told Leticia Kent, in a Vogue interview.' . (August 12, 2003).
Retrieved January 23, 2016. Note – original publication: “Viva and God,” 111.1 (May 5, 1987), Art Supplement 9. Flatley, Guy (November 9, 1968). The New York Times. Retrieved December 29, 2015.
Goldsmith, Kenneth (April 1, 2009). Retrieved December 29, 2015.
^ Comenas, Gary (1969). Retrieved January 20, 2016. Haggerty, George E. Retrieved January 20, 2016. Staff (2013). Retrieved March 23, 2018.
Garcia, Alfredo (October 11, 2017). Retrieved March 23, 2018.
Haberski, Jr., Raymond J. (March 16, 2007). Retrieved January 19, 2016. Staff (September 18, 1969). Retrieved January 19, 2016.
Further reading. Bockris, Victor (1997). Warhol: The Biography. New York: Da Capo Press. Danto, Arthur C.
Yale University Press. James, James (1989), 'Andy Warhol: The Producer as Author', in Allegories of Cinema: American Film in the 1960s pp. 58–84.
Princeton: Princeton University Press. Koch, Stephen (1974; 2002): Stargazer. The Life, World and Films of Andy Warhol. London; updated reprint Marion Boyars, New York 2002,. New York: Penguin. Warhol, Andy; Pat Hackett (1980). POPism: The Warhol Sixties.
Hardcore Brace Jovanovich. Watson, Steven (2003). New York: Pantheon. Archived from on August 29, 2010.
External links. at. on. at the. on.